Audio Adventures

Saqib Sadiq
10 min readOct 24, 2019

So, you are not a Trekkie and you have no time to read comics? No problem! Here is what I recommend you do instead. While you commute to and from work, you can listen to an audiobook! I came to appreciate the rich images that were being painted in my mind when the author’s words were spoken. I found this most helpful during my commute. A normal slog through traffic became a fantastical escape into another world. I found myself much more positive-minded when I got into work (which can only help your performance). At any rate, it beat listening to the radio with its mindless music and biased news commentary.

My audio content included an e-reader that could read my PDFs to me. This was great because I had a stockpile of eBooks in PDF form but couldn’t find time to read through them. One drawback, however, was that I soon grew weary of the flat computer voice, that was being produced by the e-reader. It served its purpose well enough but due to an emotionless delivery, I found myself tuning out. Key parts of the story were lost to me, which hampered the experience. I knew I could get better results if only I got audiobooks read by a professional narrator. But with the average cost of about $20 I had to think twice.

Then came along Graphic Audio. They were doing a special and I was able to snag two download codes at a special rate. That got me thinking as to how I could beat the cost curve. How could I get my audiobooks yet not break the bank? Lucky for me my neighborhood sports a great public library. By virtue of being a resident, I was eligible for a library card. I am tempted to make cliché statements about getting a passport to the world of books, but we’ll leave that to Levar Burton. I soon began borrowing CDs and virtually through their online collection. All in all, I went through quite a few. So much so I wanted to share my adventure with you fair reader. Here’s a rundown…

I have made podcasts part of my audio library. I enjoy hearing from prominent writers, it gives me a chance to learn from them and emulate their techniques. And if the writer happens to write sci-fi, military sci-fi to be precise, all the better. I can get my podcast fix from SF Signal. I raided their website and downloaded as many relevant audio files as possible. I always read to relate. I want something that matches what I am going through. It gives me solace. The recommendations given in these podcasts must match this formula. For me and as for many others, heading out each day to earn a living is a struggle. My religion goes as far as calling it a holy struggle. Military sci-fi is stories that blatantly portray struggle. It requires fortitude and discipline on part of the protagonist to make it through.

I was delighted to hear one of the authors recommending John Steakley’s Armor. The description he gave suited my literary palette just fine. Plus, with a gift card (thanks sis) from Barnes and Noble in hand I took the plunge. I am glad I did. The story of Phelix really struck me. Akin to Starship Troopers he too is dropped into a hot zone full of bugs. In this case its only his schizophrenia that keeps him alive. “Erupt damn you!” And the engine takes over. That cold calculating part of him that kills with abject efficiency. Hordes of monster ants wipe out his entire team. But he, the lone survivor fights on. He beats the odds as he is repeatedly dropped and lives. Even hardened criminals are reduced to whimpering children when they experience his exploits. A lot of times at my job I feel overwhelmed. My inner child beckons me to make it stop. But I know I must soldier on. One task after another. You could be completely drained but the job is not done What do you do then? Like Phelix, you get in the zone and give them hell! I highly recommend this if you are looking for a good read. Oh, and the plot twist at the end is worth the wait.

I was able to get my hands on the acclaimed 2001: A space odyssey, by none other than Arthur C. Clarke. My first taste of his writing came from an anthology of his short stories. I really liked his writing style, he always seemed to have a dramatic plot twist in the last few lines of his short stories. So, I was eager to see how he fared in a full-length feature. I am glad to say that I was delighted. Right from the start the story grips you. The setting is pre-historic times and the focus is on a primitive tribe of man-apes. Barely surviving in their caves, they have meager defenses against ruthless predators. It isn’t until the unlikely arrival of a black monolith that the tide turns. Their minds scanned and enhanced, they soon devise crude weapons to defend themselves. Human nature soon takes root and they begin to assert their authority on a rival tribe. With a severed cougar head, mounted on a spike. Most of the opposing foe correctly deduced that man-apes now had superior arms, by which to attack.

The story jumps to the future, where humans are now exploring space. With a well-established presence on the moon, they soon discover another monolith. What will these unearthly objects teach humanity now? Notice how I make scarce reference to the widely publicized Hal 9000. For me, 2001 wasn’t just about a ship’s AI going haywire. It was more about the spirit of discovery and reaching man’s potential.

I am a fan of Dan Brown, especially of his Robert Langdon books. The Davinci Code, Angels, and demons, The Lost Symbol, they’re all good. I like how Professor Langdon must save the day by solving one cryptic puzzle after another. He must rely on his knowledge of antiquity to do so. Along the way, the reader is enriched with newfound wisdom. But without a doubt you read to be entertained, which these books always deliver, why else would they be turned into major Hollywood productions? That’s why I snapped up Inferno. I was delighted to meet the professor once more. His omnipresent tweed jacket and New England sensibilities on full display. He was already entrapped in another international power struggle, with a beautiful female ally at his side. The reader was taken from one exotic location to the next, classic Dan Brown. I had a grand old time. When something peculiar began cropping up.

The references being made to various artworks were becoming more and more detailed. I mean it was fascinating for sure but was getting in the way of the story. It began to read like a well-researched dissertation. One footnote after another. In previous stories, this was done subtly. With just the right amount of action and scholarly prowess. A formula that worked well. But sadly, it wasn’t the case in this scenario. I had to bail at the 2/3rd mark. I honestly stopped caring about the characters and their struggles. And abandoned the story completely.

Lucky for me my next selection wasn’t a total dud. I always enjoyed classic SF. Jules Verne's and H.G. Wells are prominent artists from this genre. It’s fascinating to see how authors from centuries ago wrote about fictional contraptions that we possess today yet take for granted. Mr. Wells has had success with a previous audio rendition of his story War of the Worlds. We are all familiar with how listeners were duped into believing that an actual alien invasion had occurred when W.O.W. was first broadcasted via radio. In that same tradition, this adaptation of the classic tale takes on a news commentary format. With an all-star cast, of Star Trek fame, this sound bite is an easy sell.

However, I was put off by its goofiness. When the pods had landed and began attacking this was a deciding moment. Earth had finally realized that it had been invaded by a hostile force. I hate to admit it but the Tom Cruise movie adaptation did a better job of imparting the gravity of the situation. The redeeming moment of the audio play was Nimoy’s stoic performance. He plays a professor whose life has been devastated everything he holds dear is gone. Now living a nomadic life on the fringes of devastated towns and cities he painfully recalls a past life that seems to be only a hallucination.

John Jackson Miller Has been making waves with his Star Wars books. I first found his work through his lost tribe stories. I was able to get each part of this story for free (it doesn’t look like they still do this). I recanted the tale to friends, who loved hearing about the exploits of a lone Jedi knight on a planet full of Sith! That’s why I was eagerly awaiting his next book, aptly named, Kenobi. However, I am not quick to fall for marketing ploys I decided to download a free sample, something I always do when considering purchasing a book. In my opinion, this is just another advantage of eBooks. Big box retailers usually have these available for their e-readers. So, with a sample in hand, I read the first few chapters of Kenobi. Amazingly it just didn’t jive with me. I guess I was expecting something spectacular like a lost tribe. Don’t get me wrong the premise is fairly fascinating. The story focuses on the 20-year gap between episodes III and IV and how Obi-Wan stood guard over the young Luke Skywalker. It’s a must-read for fans of the sage character, a chance to meld with his inner workings. That’s why I was willing to give it a go once more when I noticed the audiobook version at the library.

I must say this production will give Graphic Audio a run for its money. They too added sound effects to enhance the narration. Maybe not as bold as GA but enjoyable none the less. I liked how they introduced radio chatter when the manuscript called for communication via comlink. Oh, and Obi’s lightsaber sounds fantastic. Come for the bells and whistle but stay for the story, that’s what I say. Miller delivers a compelling story, with well thought out characters. He takes a closer look at the Tuscan Raiders. They are not one dimensional and mindless as we think. We are shown how Tuscan society operates, where honor and courage are valued. They even have their own belief system which has served them for generations. Yet the author doesn’t get too heavy and lets you have fun and have a swashbuckling adventure, all the things we have come to love from the Star Wars franchise.

So, my next selection draws a parallel with the previous. Here to a reading sample from a well-loved author drew dismal results. I am talking about Michael Crichton’s State of fear. I actually tried this out a long time ago. But didn’t like it. He didn’t stick to his usual formula of white-knuckle suspense mixed with cutting edge sci-fi (ala Prey, Jurassic Park, Congo, Sphere, Andromeda Strain, etc.). But again, I was willing to give it a go when it became available on my library’s virtual bookshelf. This time the audio version was equally disappointing. Again, I didn’t care for the characters. The story was slow and lethargic and wasn’t spectacular in its scope. I believe this being written late in his career had something to do with it. But again, this is Crichton’s work and you may beg to differ.

Another author whose name carries weight is Philip K. Dick. He’s known for such marvels as Total Recall and Through a Scanner Darkly. I picked up another one of his titles, The Penultimate Truth. It’s a fairly intriguing story with interesting characters the villain is really despicable you’ll love to hate him. But slow at times. It’s about a future earth where nuclear annihilation has driven the world’s population underground. To escape radiation. However, a few brave souls venture to the surface only to discover a startling secret.

This next title is from Graphic Audio, it is their Nuclear Bombshell series. The dialogue isn’t as graphic or vulgar as some of their other titles. And the storyline is crisp and fast-paced. I like how they combined the sensibilities of a classic spy story with the punch of a sci-fi thriller. Yet they keep things light and humorous, an eclectic mix.

So, what do you think dear reader? Do you agree with my reviews? Are you dazzled by my insightful analyst or dumbfounded by my willful ignorance? Let me know in the comments!
DISCLAIMER: All copyrighted material is property of their respective owners.

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